In his book Code Work, Héctor Beltrán examines Mexican and Latinx coders’ personal strategies of self-making as they navigate a transnational economy of tech work.

Come relax with us and enjoy some fun conversation! No need to RSVP; just show up and bring your friends!

Laura Anderson Barbata will discuss her projects Ocean Calling, 2017, and Ocean Blues, 2018 in greater detail. The Ocean Calling was presented in 2017 at the UN's First Ocean Conference in New York. The following year, in collaboration with artists from the Caribbean diaspora and Mexico, she presented Ocean Blues, a work in response to the effects of global warming on all forms of life that make the ocean their home.

SOUTHEAST: a city within a city A hands-on exploration of what it felt like to live in a neighborhood that once produced more steel than any other place in the world. The documentary brings together builders, soldiers, scholars, gangsters, musicians, and politicians from the Southeast Side’s past and present to explain what happened to neighborhoods full of life and different cultures after the jobs disappeared. 

Join us for an immersive experience that blends documentary film, live narration, and musical performances. Original music performed live by writer/director Steven Walsh and his grandfather Roger "Coco" Gomez (accompanied on guitar by Matt Goetz)! Friday Sept. 27th at 5:30 in MIT’s Bartos Theater, Building E15 basement off Ames St.

4 - 5:30pm @ The Nexus, 14S-130 in Hayden Library  

Please join SECASP Director Prof. Chris Walley and other co-collaborators as they discuss the project and screen segments of the site’s newly launched and final multimedia documentary. Wetlands to Waste explores the environmental history of the multiracial Calumet region and the rise of environmental activism led by Latina, white and black residents against industrial pollution and landfills. Funded in part with grants from the MIT Center for Art, Science & Technology (CAST), National Endowment for the Humanities, and The Donnelly Foundation. 

5:30 - 6:30pm, Walker Lawn outside Building 14 (or 14E-304 if rain)

 Reception on Walker Lawn outside Building 14 (or 14E-304 if rain).

Come relax with us and enjoy some fun conversation! No need to RSVP; just show up and bring your friends!

Come relax with us and enjoy some fun conversation! No need to RSVP, just show up and bring your friends!

Mexican anthropologist Aída Hernández, currently a Fellow at Harvard's Radcliffe Institute, will join us to discuss her feminist activism-research in Mexico through the work of a creative writing project for imprisoned women she has helped lead. The event will feature a screening of a short film about the project: Semillas de Guamúchil (“Five women who discover creative writing in prison share their poetry now in their life at large”). We hope you can join us!

As a relatively new and evolving field within anthropology, multispecies ethnography challenges traditional human-centric perspectives by engaging with the complex web of relationships between humans and non-human entities, including plants, fungi, and animals.

This lecture reconstructs the process by which "Inca trepanation" became an accepted scientificfact, and the looting and trade in "Inca" and Andean ancestors and crania it relied upon to provide further museum "specimens" to prove or disprove Indigenous skill at this high-risk maneuver. Central to this process was the work of Andean collectors and Peruvian surgeons like the anthropologist Julio C. Tello, whose authority was sought but effaced by Americanist anthropologists in the United States.

Join directors Giorgio Angelini and Arthur Jones for a Q&A moderated by Prof. Gabriella Coleman (Harvard) co-sponsored by MIT Anthropology, MIT Philosophy, and MIT Schwarzman College of Computing Social and Ethical Responsibilities of Computing

In this talk Jason De León will discuss his new book "Soldiers and Kings", a long-term ethnographic study focused on understanding the daily lives of Honduran smugglers who profit from transporting migrants across the length of Mexico. Using the stories of several smugglers, he examines the relationship between transnational gangs and the clandestine migration industry, as well as the difficulties of doing ethnography in this violent and ethically challenging context.

Part of A • H • STS speaker series:

This talk from Colette Perold analyzes the role of U.S. empire in the creation of South American markets for tabulating equipment and early mainframe computers. Grounded in two major programs—the 1940 Census of the Americas and the 1960s Latin American Free Trade Association—this talk explores the role of data integration and trade integration as two components of a regional strategy for U.S. corporate dominance over hemispheric tabulating and computing industries.

HOLLOW TREE follows three teenagers coming of age in their sinking homeland of Louisiana. Their different perspectives shape their story.

The screening will be followed by a conversation with Director Kira Akerman, Producer Monique Walton, and the 3 protagonists. The Q&A will be moderated by Dr. Kate Brown, Professor of History of Science at MIT’s Program in Science, Technology, and Society.  Seating is limited. Please register.

The event is sponsored by The Living Climate Futures Group at MIT.

The Center for Ethnographic Research at UC Berkeley welcomes MIT Anthropology Class of 1957 Career Development Assistant Professor Héctor Beltrán for a discussion of his book, "Code Work: Hacking across the US/México Techno-Borderlands"

Come relax with us and enjoy some fun conversation! No need to RSVP; just show up and bring your friends!

Hear from undergraduate students and instructors involved in the MCSC-supported seed award project, “Anthro-Engineering Decarbonization at the Million Person Scale,” about their efforts to bridge anthropology and engineering to explore the design of a culturally appropriate, affordable, and sustainable intervention to create a pathway to decarbonization in Ulaanbaatar, Mongolia, the coldest and most polluted capital city in the world.

Presenters: Iselle Barrios (’25), Dr. Lauren Bonilla (MIT Anthropology), Grace Gardner (’24), Madeline Hon (’24), Kiran Mak (’25), and Ella Trumper (’24)

Abstract:
How do we bring previously disparate ways of knowing, Indigenous Knowledge and “Western” or mainstream science, into right relationship with one another for mutual thriving of land and culture? At a time of accelerating environmental change and complex, overlapping challenges, we need a plurality of perspectives to innovate solutions. This talk focuses on work being carried out by a team of international, interdisciplinary, predominantly Indigenous scientists from the US, Canada, Australia, and Aotearoa/New Zealand as part of the newly funded Center for Braiding Indigenous Knowledges and Science. I’ll share how our team, which includes archaeologists; climate, environmental, and water scientists; scholars with expertise in Indigenous knowledge systems and education, foodways, and museums and heritage, are collaborating to explore ethical practices and protocols of braiding knowledges, the seeds for building new research worlds. The talk highlights efforts to bring braiding methodologies into mainstream scientific practice through a transdisciplinary approach that reflects Indigenous understandings of place in which the urgent and interconnected areas of climate change, cultural places, and food sovereignty and security are the focus.

Bio:
Dr. Sonya Atalay (Anishinaabe-Ojibwe) is an Indigenous archaeologist, utilizing community-based participatory methods to conduct research in full partnership with Indigenous communities. Dr. Atalay’s scholarship crosses disciplinary boundaries, incorporating aspects of cultural anthropology, archaeology, critical heritage studies, and Native American and Indigenous Studies. She’s currently involved in producing a series of research-based comics about repatriation of Native American ancestral remains, return of sacred objects and objects of cultural patrimony under the Native American Graves Protection and Repatriation Act (NAGPRA) law, and is Director of the NSF-funded, multinational Center for Braiding Indigenous Knowledges and Science (CBIKS)

Come relax with us and enjoy some fun conversation! No need to RSVP; just show up and bring your friends!

In this casual conversation, New York-based artist Rose Salane will describe her archival approach to documenting the forces of attraction that draw objects together. Salane has exhibited her “dynamic sets of object accumulation” at MIT’s List Visual Arts Center, the Whitney Museum of American Art, and MASS MoCA, among many other museums and galleries. This short Art21 film introduces her practice.

Light refreshments will be served.

Questions? Contact Prof. Graham Jones (gmj@mit.edu)