Stefan Helmreich | People

Stefan Helmreich

Elting E. Morison Professor of Anthropology

Room E53-335Q




Stefan Helmreich received his PhD in Anthropology from Stanford University and prior to coming to MIT held fellowships at Cornell, Rutgers, and NYU. His research examines how biologists think through the limits of "life" as a category of analysis. Alien Ocean: Anthropological Voyages in Microbial Seas (University of California Press, 2009) is a study of marine biologists working in realms usually out of sight and reach: the microscopic world, the deep sea, and oceans outside national sovereignty. This book, winner of the 2017 J.I. Staley Prize from the School of Advanced Research, the 2012 Rachel Carson Book Prize from the Society for Social Studies of Science, the 2010 Senior Book Prize from the American Ethnological Society, and the 2010 Gregory Bateson Book Prize from Society for Cultural Anthropology charts how marine microbes are entangled with debates about the origin of life, climate change, property in the ocean commons, and the possibility of life on other worlds. An earlier book, Silicon Second Nature: Culturing Artificial Life in a Digital World (University of California Press, 1998) is an ethnography of computer modeling in the life sciences. In 2000, it won the Diana Forsythe Book Prize from the American Anthropological Association. Helmreich's newest book, Sounding the Limits of Life: Essays in the Anthropology of Biology and Beyond (Princeton University Press, 2016) asks after changing definitions of life, water, and sound (and features a soundtrack). He is at work on a new book about wave science, in domains ranging from oceanography to cosmology to medicine to acoustics to social theory.  Helmreich's essays have appeared in Critical Inquiry, Representations, American Anthropologist, Cabinet, and The Wire.


anthropology of science and technology, with an emphasis on biology; social studies of race, gender, kinship, sexuality, ability and science; ethnography of information science; maritime and oceanic anthropology; multispecies ethnography; social and cultural studies of sound and the senses

Publications|Selected Publications

2021 On Oceanography: Armen Avanessian, Werner Boschmann, and Karen Sarkisov in dialogue with Stefan Helmreich. In XXI Century Science: Oceanography: Marine Monitoring, Microbiology, and Materiality. Armen Avanessian, Werner Boschmann, and Karen Sarkisov, eds. Pp. 7-21. Berlin: Sternberg Press.
2021 Flipping the Ship: Ocean Waves, Media Orientations, and Objectivity at Sea. Media and Environment, May.
2020 The Shape of Epidemics (with David Shumway Jones). Boston Review, June 26,
2020 Wave Theory ~ Social Theory. Public Culture 32(2):287-325
2017 The Genders of Waves WSQ: Women's Studies Quarterly 45(1&2): 29-51.
2016 Sounding the Limits of Life: Essays in the Anthropology of Biology and Beyond, with co-authored contributions from Sophia Roosth and Michelle Friedner.  Princeton: Princeton University Press. eBook features color images.  Audio/music examples at
2016 Gravity's Reverb: Listening to Space-Time, or Articulating the Sounds of Gravitational-Wave DetectionCultural Anthropology 31(4): 464-492.
2014 Homo microbis: The Human Microbiome, Figural, Literal, Political. Thresholds 42: 52-59.
2014 The Perils and Promises of Microbial Abundance: Novel Natures and Model Ecosystems, from Artisanal Cheese to Alien Seas
(with Heather Paxson). Social Studies of Science 44(2):165-193.
2013 Potential Energy and the Body Electric: Cardiac Waves, Brain Waves, and the Making of Quantities into Qualities. Cultural Anthropology 54,
Supplement 7: 139-148.
2012 Sound Studies Meets Deaf Studies (with Michele Friedner). The Senses & Society 7(1):72-86.
2011 From Spaceship Earth to Google Ocean: Planetary Icons, Indexes, and Infrastructures. In "Image as Action, Image in Action," special issue of Social Research 78(4):1211-1242.
2011 What Was Life? Answers from Three Limit Biologies. Critical Inquiry 37(4):671-696.
2011 Nature/Culture/Seawater. American Anthropologist 113(1):132-144.
2010 The Emergence of Multispecies Ethnography (with S. Eben Kirksey, co-editor of special issue on "Multispecies Ethnography"). Cultural Anthropology 25(4):545-575.
2010 Life Forms: A Keyword Entry (with Sophia Roosth). Representations 112:27-53.
2009 Alien Ocean: Anthropological Voyages in Microbial Seas. Berkeley: University of California Press.


21A.859J / STS.250J
Social Theory and Analysis

Major theorists and theoretical schools since the late 19th century. Marx, Weber, Durkheim, Bourdieu, Levi-Strauss, Geertz, Foucault, Gramsci, and others. Key terms, concepts, and debates.

21A.319J / STS.330J
History and Anthropology of Medicine and Biology

Co-taught with Dr. David Jones.
Explores recent historical and anthropological approaches to the study of medicine and biology. Topics might include interaction of disease and society; science, colonialism, and international health; impact of new technologies on medicine and the life sciences; neuroscience and psychiatry; race, biology and medicine. Specific emphasis varies from year to year.

21A.103J / STS.046J / WGS.225J
The Science of Race, Sex, and Gender

Co-taught with Dr. Abha Sur.
Examines the role of science and medicine in the origins and evolution of the concepts of race, sex, and gender from the 17th century to the present. Focus on how biological, anthropological, and medical concepts intersect with social, cultural, and political ideas about racial, sexual, and gender difference in the US and globally. Approach is historical and comparative across disciplines emphasizing the different modes of explanation and use of evidence in each field.

21A.505J / STS.065J
The Anthropology of Sound

Examines the ways humans experience sound and how perceptions and technologies of sound emerge from cultural, economic, and historical worlds. Consider how the sound/noise boundary has been imagined, created, and modeled across sociocultural and scientific contexts. Learn how environmental, linguistic, and musical sounds are construed cross-culturally as well as the rise of telephony, architectural acoustics, sound recording, and the globalized travel of these technologies. Questions of sound ownership, property, authorship, and copyright in the digital age are also addressed.

21A.507J / 4.648J (meets with 21A.519/4.649)
Resonance: Sonic Experience, Science, and Art

Examines the sonic phenomena and experiences that motivate scientific, humanistic, and artistic practices. Explores the aesthetic and technical aspects of how we hear: measure or describe vibrations; record, compress, and distribute resonating materials; and how we ascertain what we know about the world through sound. Although the focus is on sound as an aesthetic, social, and scientific object, the subject also investigates how resonance is used in the analysis of acoustics, architecture, and music theory. Students make a sonic artifact or research project as a final requirement. Students taking graduate version complete additional assignments. Co-taught with Professor Caroline Jones.

21A.504J / STS.086J / WGS.276J
Cultures of Computing

Examines computers anthropologically, as artifacts revealing the social orders and cultural practices that create them. Students read classic texts in computer science along with cultural analyses of computing history and contemporary configurations. Explores the history of automata, automation and capitalist manufacturing; cybernetics and WWII operations research; artificial intelligence and gendered subjectivity; robots, cyborgs, and artificial life; creation and commoditization of the personal computer; the growth of the Internet as a military, academic, and commercial project; hackers and gamers; technobodies and virtual sociality. Emphasis is placed on how ideas about gender and other social differences shape labor practices, models of cognition, hacking culture, and social media.


2018-19 John Simon Guggenheim Foundation Fellowship.
2018-19 Katherine Hampson Bessell Fellowship, Radcliffe Institute for Advanced Study, Harvard University, Cambridge, MA.
2017 J.I. Staley Prize, School for Advanced Research, for Alien Ocean
2016 Michelle Kendrick Book Prize, Society for Literature, Science & the Arts, for Sounding the Limits of Life
2016 Frank E. Perkins Award for Excellence in Graduate Advising, MIT
2012 Rachel Carson Book Prize, Society for the Social Studies of Science, for Alien Ocean
2010 American Ethnological Society Senior Book Prize, American Anthropological Association, for Alien Ocean
2010 Gregory Bateson Book Prize, Society for Cultural Anthropology, American Anthropological Association, for Alien Ocean
2010 Institute for Advanced Studies Distinguished Fellowship, Durham University, and Prowse Fellowship, Van Mildert College, Durham, United Kingdom
2009 Andrew W. Mellon Foundation Grant to fund a 2010-2011 Sawyer Seminar on the Comparative Study of Cultures entitled "Sensing the Unseen"(with Heather Paxson)
2009 James A. and Ruth Levitan Award for Excellence in Teaching in the School of Humanities, Arts, and Social Sciences, MIT
2006 MIT's James A. and Ruth Levitan Research Prize in the Humanities



Video: Stefan Helmreich on his book "Alien Ocean"

Video: What is Deep Sea Mining? Created in collaboration with Inhabitants and Margarida Mendes, founding member of Oceano Livre

Video: Massive Movie Waves, a critical montage by Jeremie Brugidou and Stefan Helmreich

Music and sound montage: “Wave Count,” with musicologist Wayne Marshall. The Wire Mix, June, 2019

Talk and computer simulation: “Ocean Amplification,” with computer artist Francisco Alarcon. Society of Cultural Anthropology meetings, 2020

Talk and video: “Coral and Algae, Blue and Unblue,” with artist Sonia Levy. The Camille Diaries: Current Artistic Positions on M/otherhood, Life and Care, Berlin, September 2020

Lecture: “Listening to Waves: Tuning to Cosmic, Oceanic, and Sociogenic Noise, Sound, and Music.” Music Department, University of Pennsylvania, Philadelphia, Pennsylvania, September 2020

Lecture: “Waves, Epidemic and Sonic.” Course in Sociological Analyses of the Pandemic, Professors Olivier Borraz and Martin Giraudeau, SciencePo, Paris, France, October 2020

Lecture: “Underwater Music.” Ocean Memory Project Sound Workshop, March 2021